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Automated Photography, ECAL, 2021
Automated Photography Exhibition, Espace Commines, Paris, November 2021
Walk in the Forest, ECAL/Sally Jo, 2020
wasserturm(), ECAL/Philipp Klak, 2020
Until I Stop Trying to Get Out of My Skin, ECAL/Robin Bervini, 2020
Doing God’s Work with Other People’s Money, ECAL/Valentin Woeffray, 2020
As we melt, ECAL/Sara Bastai, 2020
All Watched Over by Machine of Loving Grace Ver 1.1b, ECAL/Emidio Battipaglia, 2020
Deep Fog, ECAL/Gaël Corboz, 2020
Fig.5 Forensic Oceanography. Map showing the retreat of state search and rescue assets by comparing the operational zone of the Italian Navy Mare Nostrum operation and the EU border agency’s Triton operation.
See what is left, ECAL/Philipp Klak, 2020
Fig.5 Image from page 80 of "The electron microscope, its development, present performance and future possibilities" (1948)
See me in depth, ECAL/Gohan Keller, 2019
Automated Photography Newsletter
SELFIE RATS, ECAL/AUGUSTIN LIGNIER, 2021, CAMERA BOOTH AND RATS, PRINTS
SPLICER/FLORIAN AMOSER, 2021, PHOTOGRAPHIC SAMPLER, PRINT

For the past twenty years, many photographers have been integrating images produced autonomously by machines into their work. We witness a paradigm shift in the process of creating photography: From photographic capture in the strict sense to appropriation, automated and computational practices, which respond to a conception of space that is less and less built on the equivalence between the human eye and the machine.

Save-the-date:
Exhibition opening: 9.11.21
Research symposium: 11.11.21

I’m not a Robot

  • Book
  • Past Exhibitions
  • Walk in the Forest
  • wasserturm()
  • Until I Stop Trying to Get Out of My Skin
  • Doing God’s Work with Other People’s Money
  • As we melt
  • All Watched Over by Machine of Loving Grace Ver 1.1b
  • Deep Fog
  • Remote sensing from Earth’s orbit
  • See what is left
  • Scanning Electron Microscopy
  • See me in depth
  • Newsletter
  • Selfie Rats
  • splicer